Two neighbours meet asittle children in Patuakhali town, deep in the delta where the mammoth Meghna breaks up into a myriadbranches to meet the sea, in East Bengal. The year is 1922; the boy, Shishu, is eight, and the girl, Noni, eleven. Swiftly, a specialbond forms between the two, strengthened by a sharedove of books and poetry. However, in 1927, their paths diverge—Shishu,a member of the revolutionary outfit Tarun Sangha, stabs a police inspector to death and has to spend seventeen years in jail; hisNoni-di is married off at the age of sixteen. Yet, they continue to exchangeetters, and Shishu keeps a notebook, a diary of sorts,in which he writes poems meant for his friend and firstove through the years, about hisife, his feelings, and his struggles. He isreleased in 1945, but the Partition tsunami rips the two friends apart. Theyose all contact, and the connection that held themtogether over all these years is broken. In 1991, they miraculously reconnect. Noni and her refugee family from East Bengal havesurvived and she has gone on to have aarge family, with children, grandchildren, and great-grandchildren. Shishu, on the otherhand, has remained single. He gives her his notebook in which he had continued to write all these years, an offering to his friendandifelong muse. This story is based on theife of Rimli Sengupta’s Dida, her paternal grandmother. The notebook—scuffed and old, its pagescurled by time and water damage, yet surprisingly intact—remained a prized possession of her grandmother’s till the time ofher passing and, with it, Sengupta pieces together the story of Shishu and Noni. In Aost People’s Archive , she masterfully fusesher imagination with history, both personal and national, to narrate a story of two friends, and their passage through pre-Independence India, the Partition, a refugee exodus, communism, and through the political and socialandscape of Bengal. And,at the root of it all, this story is about Bangals, the displaced East Bengalis, and the narrative of their fracturedand andives.